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This morning I sat in Atlantis Coffee (downtown) and worked on my program notes I was asked to write for the screening of Ian Toews' films on Thursday at the Filmpool. At 10:30, Maya Batten-Young met me and we chatted about film industry and student films and stuff, and I shot my 1 minute Warhol video of her. She is #14, I just need Margaret now for my complete set of 15. I also ran into Jarret Rusnick there, he showed me a clip of a commercial project he's working on that will use lots of visual tricks such as this five frame per second blending sequence. I thought it was pretty cool and said I should have thought of it. He quipped that every time a friend succeeds, a part of us dies. William's home reading, which is usually a 12-20 page book taking between 5 and 20 minutes to read, was a 108 page multi-story grade two reader that took him over 2 hours to work through. That's another page done for the Mayor's mega-minute reading challenge that he's so excited about. Speaking of the Mayor, my dad heard him speak at his Gyro club meeting the other day and he said that the rail relocation program is in the works (again). This makes more sense now, with property values increasing that strip of land through the city is finally worth something, although I'm surprised I've seen nothing in the newspaper about it.

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This evening I went to see the Regina premier of "River" a digital feature by UofR colleague Mark Wihak. It was very strong, I was captivated. One interesting thing was the cast which consisted primarily of Adam Budd and Maya Batten-Young who are not only the lead characters but also co-writers (much of the film came out of improvisation and lengthy rehearsals) of this basically two person cast (there were others people, but few with more than two lines). What made this cast interesting to me was the fact that they are both film graduates, I taught both of them, and I got to know both of them (at least a little bit) outside of class. Adam has served on the Filmpool Board and we have met numerous times, debating many aspects of film and art. Maya worked for me as my darkroom assistant in 2006, which means that we spent hours in the dark stirring film and talking. As the characters were developed through workshops with Mark, there is a lot of their real personality in their characters. As as sort of privileged viewer, I was constantly struggling with who I think these people on screen are, and who their characters are. Certainly there is more about them than I know, but I also could not accept every part of the fiction as real. The blurring was certainly a large part of the excitement. Disappointingly, neither Maya nor Adam were in town to attend and discuss this. Separating myself for this dilemma, the characters were solid and believable. I think it was Herzog who said that good character comes from inconsistencies. For example, Adam's character seems like a dreamer, obsessed with intellectual thought and art, but often blurts out blunt, pragmatic observations. My head was spinning. The other aspect of the film (yes, it was hd video, but it looked so damn good I have to call it a film) was how beautiful Regina became. I am convinced that this film could convince any filmmaker, anywhere in the world, to come and shoot a film here. It was like Mark shot every scene at magic hour. It is on for another three days, catch it if you can. RPL in downtown Regina, 9pm Friday and Sunday, 7pm on Friday.

My Alex McKenzie article is now on Alex's website.