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Another busy day, I worked with Eric again this morning and we set up a new rear screen I built and shot the 15 minutes of Warhol video onto the film stock that luckily arrived at 9:15 am. I think it went very well, although only after processing will I know. This afternoon I worked on the three new videos for Youtube, one is posted. Eric helped me shoot the keyed shot against the sky, although there were other objects behind me when we shot. I used a clip with me off frame as a difference map and was able to remove all the trees and so on, although parts of my legs did disappear too due to the fact I was wearing blue jeans and they matched the sky colour. This evening was a really good artist talk at the MacKenzie with Kent Monkman. Totally worthwhile. I'm only sorry that the paintings he showed slides of in his talk are not a part of the show. They were responses to 19th century romantic landscape paintings but with homoerotic cowboys and Indians featured within. He showed an 11 minute film that took a fun stab at deconstructing the western film and the relationships between aboriginal people and the presumptuous European colonizers. Saw Adam Budd, he's in town helping Lea shoot a new film this spring. Talked with Alan Dotson for a while. It was a diverse crowd but certainly containing a high proportion of the established art crown. We didn't stay too late because Margaret's mom took William to Horton Hears a Who at the new Rainbow theatre, which is apparently in the back of the Rainbow indoor mini-golf place up on the north end.

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I got a message from Adam Budd today, he's a young filmmaker and performance artist as well as being the co-star of Mark Wihak's "River". He's out in Montreal now, trying to find his path I imagine. He's brave and bold, more than I was at his age or even now, so I'm certain he'll make his name known soon enough.
I spent time at the university today, preparing the edit for the End of Life screening/meeting/discussion on Wednesday. John delivered a tape of smoke (sans mirrors) to help give some style to the otherwise talking head piece. While the machines were doing their thing, I almost caught up with my filing. I have so many papers on my desk and in boxes on my office floor that I can hardly stand going there. It's taken me 8 months to file, and I'm not even generating any new paper there. I also spent more time trying to find the Golem of Socks doll/puppet. I know it is somewhere safe, but cannot find it to save my life. I search the house and decide it must be at the office, then search the office and decide I must have it at home. Grrrrr.
Margaret and I finished watching episode 9 of Torchwood season 2 tonight, dying to see more.
Based on something Paul told me about search engines only looking at sites that are updated, I've taken to going into my old blogs and adding new material. It's like a treasure hunt: I added a new piece of video to a previous blog this evening.

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This evening I went to see the Regina premier of "River" a digital feature by UofR colleague Mark Wihak. It was very strong, I was captivated. One interesting thing was the cast which consisted primarily of Adam Budd and Maya Batten-Young who are not only the lead characters but also co-writers (much of the film came out of improvisation and lengthy rehearsals) of this basically two person cast (there were others people, but few with more than two lines). What made this cast interesting to me was the fact that they are both film graduates, I taught both of them, and I got to know both of them (at least a little bit) outside of class. Adam has served on the Filmpool Board and we have met numerous times, debating many aspects of film and art. Maya worked for me as my darkroom assistant in 2006, which means that we spent hours in the dark stirring film and talking. As the characters were developed through workshops with Mark, there is a lot of their real personality in their characters. As as sort of privileged viewer, I was constantly struggling with who I think these people on screen are, and who their characters are. Certainly there is more about them than I know, but I also could not accept every part of the fiction as real. The blurring was certainly a large part of the excitement. Disappointingly, neither Maya nor Adam were in town to attend and discuss this. Separating myself for this dilemma, the characters were solid and believable. I think it was Herzog who said that good character comes from inconsistencies. For example, Adam's character seems like a dreamer, obsessed with intellectual thought and art, but often blurts out blunt, pragmatic observations. My head was spinning. The other aspect of the film (yes, it was hd video, but it looked so damn good I have to call it a film) was how beautiful Regina became. I am convinced that this film could convince any filmmaker, anywhere in the world, to come and shoot a film here. It was like Mark shot every scene at magic hour. It is on for another three days, catch it if you can. RPL in downtown Regina, 9pm Friday and Sunday, 7pm on Friday.

My Alex McKenzie article is now on Alex's website.